Electro-Harmonix B9 Organ Machine Effects Pedal

$220.00

Electro-Harmonix B9 Organ Machine Effects Pedal

$220.00

With 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

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With 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Check out this video for a quick run-down of this pedal:

Preset Descriptions
Fat & Full: This sound adds an extra octave below and above to make your guitar sound twice as big. Fills out any band in an instant. MOD Type: Chorus.
Jazz: This preset has the cool, smooth jazz tone reminiscent of the late great organist Jimmy Smith. MOD Type: Chorus.
Gospel: This preset has the upper octave drawbars added to capture that great soulful organ tone. MOD Type: Chorus.
Classic Rock: This preset captures the classic rock sound of songs like Procal Harum’s “Whiter Shade of Pale.” Add a touch of distortion for a classic dirty organ. MOD Type: Chorus.
Bottom End: This preset has the lower draw bar sound. Perfect for adding bottom to your guitar or playing B3 bass sounds. With the CLICK control up you can lay down a bass line like the one on Sugarloaf’s “Green Eyed Lady.” MOD Type: Chorus.
Octaves: This preset uses the fundamental tone plus one octave above. This sound is great for songs like Led Zeppelin’s “Your Time is Going to Come.” MOD Type: Chorus. CLICK control adds not only key click, but higher harmonics.
Cathedral: Turn up the reverb and you are at the seat of a giant cathedral organ! Psychedelic rock tones easily pour out. MOD Type: Tremolo. CLICK adjusts the tremolo depth.
Continental: This is the classic combo organ sound similar to classic songs “96 Tears,” “Woolly Bully” and “House of the Rising Sun.” MOD Type: Vibrato. CLICK controls vibrato depth.
Bell Organ: If you crossed an electric piano with an organ this is it. MOD Type: Tremolo. CLICK adjusts the amount of bell or chime added to the sound.

Here are some tips on getting optimum performance from the B9 Organ Machine.

1. The B9 is best as the first pedal in an effects chain.
Place modulation delay and reverb effects after the B9.
The unit will not perform well if placed in the effects loop of a guitar amp.

2. The unit performs best using the bridge pickup of a guitar.
If a guitars pickup has a weak output, performance can be improved by putting a clean boost or a compressor in front of the B9.
It is not advised to place a distortion or overdrive in front of the B9.
This will muddy up the input signal and cause the tracking to be unstable.
If overdrive or distortion is desired it’s best to place it after the B9.

3. Some guitar amplifiers have a uneven peaky frequency response that may cause some sounds to be over accentuated.
A compressor in front or after the B9 can help smooth this out. This helps for a guitar player who’s playing is less than desirable in the dynamics department.

4. The B9 was designed to be used with a guitar.
The unit can be used with a bass guitar BUT the range the bass player can play will be limited.
The unit tracks best above the C note, third fret on the A string.
Below that performance is compromised and not recommended.

5. The top range using a guitar in standard tuning is the 23rd fret.
Above that the organ sound will not be heard.

6. Garbage in Garbage out.
The B9 tracks great and will follow what ever you play, but it is not a talent booster.
Sloppy guitar playing will sound like a sloppy organ player.
The B9 will bend notes just a regular guitar does.
Organs do not bend, so for a more authentic organ sound limit bending.

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